000			02124cam a22003013u 4500
001			39902
003			UtSlPG
005			20260610133919.0
006			m
007			cr n
008			260607r2012||||utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_ait _2iso639-1
050		4	_aPQ
100	1		_aPraga, Marco, _d1862-1929
245	1	3	_aLa moglie ideale: commedia in tre atti
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2012
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2012-06-02
508			_aProduced by Carlo Traverso, Claudio Paganelli, Barbara Magni and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
520			_a"La moglie ideale: commedia in tre atti" by Marco Praga is a theatrical play likely written in the late 19th century. The story revolves around the intricate dynamics of marriage and infidelity, focusing on characters such as Andrea Campiani, a stockbroker, and his wife Giulia, who finds herself caught in a web of affection and moral dilemmas involving her admirer, Gustavo Velati. At the start of the play, the scene is set in Andrea's dining room, where a semblance of domestic normalcy prevails despite underlying tensions. The first act introduces Giulia, who is engaged in light banter with her husband and caring for their son, Giannino. The arrival of Gustavo Velati brings a shift in the atmosphere, suggesting a deeper connection between him and Giulia, which foreshadows complications in their relationships. The interplay of dialogue reveals hints of Giulia's discontent and the imbalance in her marriage, laying the groundwork for the unfolding drama as she navigates her dual roles as both wife and lover. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aFamilies -- Drama
856	4	0	_uhttps://www.gutenberg.org/ebooks/39902
999			_c80741 _d80741