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040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aNK
100 1 _aRécy, Georges de
245 1 4 _aThe Decoration of Leather :
_bFrom the French of Georges de Récy
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2012
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2012-07-20
505 0 _aTranslator's note -- Introduction: the decoration of leather in the past -- Tools and leather -- Methods of working in leather -- Leather mosaic -- Dyes, patines and gilding -- The choice of design and colour -- Appendix: Leather hangings and furniture -- Note: Some extracts from the report of the committee on leather for bookbinding, appointed by the Council of the Society of Arts, February, 1900.
508 _aProduced by Chris Curnow, Henry Gardiner and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
520 _a"The Decoration of Leather" by Georges de Récy is a comprehensive guide on the art of leather decoration, written in the early 20th century. This work serves as both a historical overview and a technical manual, addressing the various decorative methods applicable to leather, appealing to both professionals and amateurs alike. The book explores the intricacies of using leather as a medium for modern artistic expression, detailing tools, techniques, and the evolution of leather decoration over the ages. The opening of the text introduces the subject by emphasizing the historical significance and versatility of leather in decorative arts throughout different cultures and time periods. The author elucidates the importance of decorative leather work in the crafts and arts, particularly highlighting ancient practices that have influenced contemporary techniques. The initial chapters aim to set the foundational knowledge necessary for mastering leather decoration, discussing essential tools and various types of leather suitable for different artistic purposes, thus bridging the gap between historical appreciation and practical application. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aLeatherwork
700 1 _aNathan, Maude
856 4 0 _uhttps://www.gutenberg.org/ebooks/40286
999 _c81125
_d81125