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001			42080
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040			_aUtSlPG
041		7	_aen _2iso639-1
050		4	_aMT
100	1		_aSeiler, Emma, _d1821-1887
245	1	4	_aThe Voice in Singing
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2013
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2013-02-12
508			_aProduced by David Newman, Daniel Emerson Griffith and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
520			_a"The Voice in Singing" by Emma Seiler is a scientific publication written in the late 19th century. The book explores the intricate relationship between the physiological, physical, and aesthetic aspects of vocal music. It aims to bridge the gap between the science of sound production and the art of singing, focusing on how understanding anatomy and physiological mechanisms can enhance vocal training. The opening of the work establishes Seiler's qualifications through testimonials from eminent scholars and introduces her motivation for writing. She reflects on her personal journey in learning and teaching singing, highlighting the lack of a systematic approach in existing pedagogical methods. Seiler expresses her desire to provide a solid foundation for singers by integrating scientific knowledge, particularly through her use of the laryngoscope, to observe the mechanics of the voice. This introduction sets the stage for a thorough examination of vocal music, its historical context, and the evolution of singing methods that emphasize both artistry and technique. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aSinging
700	1		_aFurness, William Henry, _d1802-1896
856	4	0	_uhttps://www.gutenberg.org/ebooks/42080
999			_c82919 _d82919