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| 001 | 42097 | ||
| 003 | UtSlPG | ||
| 005 | 20260610133949.0 | ||
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| 008 | 260607r2013||||utu|||||o|||||||||||||| d | ||
| 040 | _aUtSlPG | ||
| 041 | 7 |
_aen _2iso639-1 |
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| 050 | 4 | _aML | |
| 100 | 1 |
_aJohnstone, Arthur, _d1861-1904 |
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| 245 | 1 | 0 | _aMusical Criticisms |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2013 |
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_a1 online resource : _bmultiple file formats |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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| 500 | _aRelease date is 2013-02-15 | ||
| 505 | 0 | _aMemoir -- Bach -- Beethoven -- Berlioz -- Liszt -- Wagner -- Tchaïkovsky -- Sir Edward Elgar -- Richard Strauss -- Chamber music -- Piano playing -- Violin playing -- Music in the nineteenth century -- Hans Richter -- Nietzsche. | |
| 508 | _aProduced by Veronika Redfern, Adrian Mastronardi and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) | ||
| 520 | _a"Musical Criticisms" by Arthur Johnstone is a collection of essays exploring various aspects of music, likely written in the early 20th century. The work focuses on a range of notable composers, including Bach, Beethoven, Wagner, and Tchaikovsky, examining their contributions to the art form and showcasing Johnstone's critical insights. Readers can expect a deep dive into music appreciation intertwined with Johnstone's personal experiences and perspectives as a musician and educator. The opening of the text introduces readers to the structure and intent of the collection, beginning with a memoir detailing Johnstone's life, influences, and early encounters with music. It reveals his upbringing in a religious household, his early education, and his eventual journey into composition and critical writing. The text establishes his passion for music and the arts in general, setting the stage for the subsequent musical criticisms that evaluate notable works from various composers, reflecting Johnstone's unique voice and the intellectual connections he draws between music and broader human experiences. (This is an automatically generated summary.) | ||
| 534 | _nOriginal publication data not identified | ||
| 653 | _aMusic -- History and criticism | ||
| 700 | 1 |
_aElton, Oliver, _d1861-1945 |
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| 700 | 1 | _aReece, Henry | |
| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/42097 |
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_c82936 _d82936 |
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