000			02179cam a22003013u 4500
001			42456
003			UtSlPG
005			20260610133954.0
006			m
007			cr n
008			260607r2013||||utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_aes _2iso639-1
050		4	_aPQ
100	1		_aEspina, Concha, _d1869-1955
245	1	3	_aEl Jayón: Drama en tres actos
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2013
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2013-04-01
508			_aProduced by Carlos Colon and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was created from images of public domain material made available by the University of Toronto Libraries (http://link.library.utoronto.ca/booksonline/).)
520			_a"El Jayón: Drama en tres actos" by Concha Espina is a drama likely written in the early 20th century. The story revolves around themes of love, betrayal, and the harsh realities of life in a rustic setting, primarily featuring characters Marcela and Andrés, alongside the figure of Irene, whose past with Andrés complicates their relationship. The opening of the play establishes the backdrop of a rural setting in Cantabria, where Marcela and Andrés engage in an intimate yet tense conversation about a child they have taken in, whom they refer to as the "jayón." Marcela is troubled by her husband's lingering feelings for Irene, the child's mother, and their discussion is laden with jealousy and unspoken fears regarding their family's dynamics and the implications of caring for a child abandoned by another woman. Tensions rise as Marcela's insecurities about her husband's past and their present reality give way to a deeper exploration of human emotions, loyalties, and the burdens of motherhood, setting the stage for the unfolding drama. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aDrama
856	4	0	_uhttps://www.gutenberg.org/ebooks/42456
999			_c83295 _d83295