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001 42620
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010 _a53003793
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aPR
100 1 _aBoyle, Roger, Earl of Orrery,
_d1621-1679
245 1 0 _aPrefaces to Four Seventeenth-Century Romances :
_bRoger Boyle, Lord Broghill, preface to Parthenissa (1655) Sir George Mackenzie, "Apologie for romances," prefixed to Aretina, the serious romance (1660) Nathaniel Ingelo, preface to Bentivolio and Urania (1660) Robert Boyle, preface to Theodora and Didymus (1687)
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2013
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2013-04-29
508 _aProduced by Chris Curnow, Joseph Cooper and the Online Distributed Proofreading Team at http://www.pgdp.net.
520 _a"Prefaces to Four Seventeenth-Century Romances by Boyle, Ingelo, and Mackenzie" is a collection of literary prefaces written during the late 17th century. This book focuses on the introspective discourse surrounding the genre of romances, presenting insights from four prominent authors: Roger Boyle, Sir George Mackenzie, Nathaniel Ingelo, and Robert Boyle. The central theme revolves around the evolving nature of romance literature, the interplay of truth and fiction, and the authors' pursuits of literary merit in a transitioning literary landscape. The book includes prefaces to four specific romances: Boyle's "Parthenissa", Mackenzie's "Aretina", Ingelo's "Bentivolio and Urania", and Boyle's "Theodora and Didymus". Each author wrestles with the conventions and criticisms of romance narratives prevalent during their time, addressing the accusations of frivolity and moral laxity often associated with the genre. For instance, Boyle reflects on blending truth within fictional narratives, while Mackenzie argues for a serious purpose in romance writing. Ingelo critiques the use of romances for mere entertainment rather than moral instruction, indicating a desire to elevate the genre's status. Lastly, Robert Boyle discusses the emotional and ethical dimensions encapsulated within stories of martyrdom. Collectively, these prefaces illuminate the changing values of literature and the authors’ aspirations for romance as a medium of moral and intellectual engagement. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aPrefaces
653 _aEnglish fiction -- Early modern, 1500-1700
700 1 _aIngelo, Nathaniel,
_d1621?-1683
700 1 _aMackenzie, George,
_d1636-1691
700 1 _aDavies, Charles Maurice,
_d1828-1910
856 4 0 _uhttps://www.gutenberg.org/ebooks/42620
999 _c83459
_d83459