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040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aND
100 1 _aAnonymous
245 1 0 _aMasters in Art, Part 32, v. 3, August, 1902: Giotto :
_bA Series of Illustrated Monographs
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2013
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2013-06-15
508 _aProduced by Juliet Sutherland, Steven Calwas and the Online Distributed Proofreading Team at http://www.pgdp.net
520 _a"Masters in Art, Part 32, v. 3, August, 1902: Giotto" by Anonymous is an illustrated monograph that belongs to an early 20th-century series dedicated to the great masters of art. This volume focuses specifically on Giotto di Bondone, a pioneering figure in the transition from medieval to Renaissance art. The likely topic of the book centers on the life, works, and artistic significance of Giotto, highlighting his contributions to the evolution of painting. The book presents a detailed exploration of Giotto's career through a combination of insightful commentary and reproductions of his most prominent works, such as "Madonna Enthroned," and various frescos located in notable churches like the Basilica of St. Francis in Assisi and the Arena Chapel in Padua. It discusses his innovative techniques that broke away from the rigid Byzantine style, illustrating his use of naturalism and emotional expressiveness. Contributions from various critics and historians offer perspectives on Giotto's influence on later artists and his enduring legacy as a master who breathed life into his subjects and compositions, setting a new standard in art that resonated through the ages. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aGiotto, 1266?-1337
856 4 0 _uhttps://www.gutenberg.org/ebooks/42952
999 _c83791
_d83791