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| 001 | 43469 | ||
| 003 | UtSlPG | ||
| 005 | 20260610134009.0 | ||
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| 007 | cr n | ||
| 008 | 260607r2013||||utu|||||o|||||||||||||| d | ||
| 040 | _aUtSlPG | ||
| 041 | 7 |
_aen _2iso639-1 |
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| 050 | 4 | _aPS | |
| 100 | 1 |
_aHowells, William Dean, _d1837-1920 |
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| 245 | 1 | 2 | _aA Counterfeit Presentment; and, The Parlour Car |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2013 |
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| 300 |
_a1 online resource : _bmultiple file formats |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 500 | _aRelease date is 2013-08-14 | ||
| 508 | _aE-text prepared by David Edwards, Jane Robins, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Microsoft's Live Search Books (discontinued in 2008) | ||
| 520 | _a"A Counterfeit Presentment; and The Parlour Car" by William Dean Howells is a play written in the late 19th century. The story unfolds primarily through the interactions of two young men, Bartlett and Cummings, in the parlour of the Ponkwasset Hotel on a beautiful September day. Central to the drama is Bartlett's personality and the implications of a striking resemblance to a man who has caused great emotional pain to a family associated with the hotel. The opening of the narrative introduces two young artists, Bartlett and Cummings, as they arrive at the hotel, laden with painting supplies. The dialogue quickly reveals Bartlett's brusque demeanor and longing for solitude away from the bustling city, juxtaposed with Cummings' more sensitive disposition. Their discussion touches upon beauty, artistic aspirations, and the contrasting fates of women when faced with betrayal, a theme that becomes pivotal as they discover a lady's belongings in the room, hinting at impending complications. Soon, the tension escalates when General Wyatt enters, mistaking Bartlett for the man who devastated his daughter, leading to a series of misunderstandings that set the stage for exploring themes of identity, guilt, and social facades. (This is an automatically generated summary.) | ||
| 534 | _nOriginal publication data not identified | ||
| 653 | _aMan-woman relationships -- Drama | ||
| 653 | _aAmerican drama -- 19th century | ||
| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/43469 |
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_c84308 _d84308 |
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