| 000 | 02415cam a22003013u 4500 | ||
|---|---|---|---|
| 001 | 44082 | ||
| 003 | UtSlPG | ||
| 005 | 20260610134018.0 | ||
| 006 | m | ||
| 007 | cr n | ||
| 008 | 260607r2013||||utu|||||o|||||||||||||| d | ||
| 040 | _aUtSlPG | ||
| 041 | 7 |
_aen _2iso639-1 |
|
| 050 | 4 | _aND | |
| 100 | 1 |
_aMuther, Richard, _d1860-1909 |
|
| 245 | 1 | 4 |
_aThe History of Modern Painting, Volume 3 (of 4) : _bRevised edition continued by the author to the end of the XIX century |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2013 |
|
| 300 |
_a1 online resource : _bmultiple file formats |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 500 | _aRelease date is 2013-10-31 | ||
| 508 | _aProduced by Marius Masi, Albert László and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) | ||
| 520 | _a"The History of Modern Painting, Volume 3 (of 4)" by Richard Muther is an art history text written in the early 20th century. This volume continues the exploration of modern painting movements and artists, with a focus on the development of realism in England, Germany, and the influence of Japanese art on Impressionism. The book likely discusses notable painters like Edward Burne-Jones, Holman Hunt, and Adolf Menzel, along with the broader cultural and artistic trends that shaped their work. The opening portion of this volume delves into the emergence of pre-Raphaelitism in England during the mid-19th century, illustrating how a group of young artists sought to revive a more authentic representation of nature and human emotion in their art. It critiques the prevailing historical and genre painting styles that had become detached from true artistic expression, pointing to figures like William Dyce and the founding of the pre-Raphaelite Brotherhood by Dante Gabriel Rossetti, Holman Hunt, and John Everett Millais. Through their commitment to realism and truthfulness, the pre-Raphaelites aimed to break away from the conventions of the past and establish a new artistic identity that reflected contemporary life and emotional depth. (This is an automatically generated summary.) | ||
| 534 | _nOriginal publication data not identified | ||
| 653 | _aPainting -- History | ||
| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/44082 |
| 999 |
_c84921 _d84921 |
||