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001 45555
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006 m
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040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aNC
100 1 _aHiatt, Charles,
_d1869-1904
245 1 0 _aPicture Posters :
_bA Short History of the Illustrated Placard with Many Reproductions of the Most Artistic Examples in all Countries
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2014
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aIllustrated.
500 _aRelease date is 2014-05-01
508 _aProduced by David Widger from page images generously provided by the Internet Archive
520 _a"Picture Posters" by Charles Hiatt is a historical account written in the late 19th century. The book provides a comprehensive examination of the illustrated placard, tracing its evolution from ancient times to the contemporary period and featuring notable examples from various countries, particularly focusing on the English and American context. Hiatt aims to highlight the artistic significance of posters, rather than merely their commercial value. At the start of the book, Hiatt introduces the topic through a preface that sets the stage for a deeper exploration into the aesthetics and impact of pictorial posters throughout history. He notes that while the pictorial poster is not on par with classical art forms in terms of importance, it has its own charm and relevance. The opening portion delves into the origins of the poster, outlining the transition from simple advertising methods in ancient civilizations to the more sophisticated, artistic posters emerging in the modern era, particularly in France. Hiatt’s analysis emphasizes that artistic considerations often coalesce with commercial intents in poster design, suggesting that they enrich public spaces and engage viewers in unique ways. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aPosters -- History
856 4 0 _uhttps://www.gutenberg.org/ebooks/45555
999 _c86394
_d86394