| 000 | 03100cam a22004453u 4500 | ||
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| 001 | 45968 | ||
| 003 | UtSlPG | ||
| 005 | 20260610134044.0 | ||
| 006 | m | ||
| 007 | cr n | ||
| 008 | 260607r2014||||utu|||||o|||||||||||||| d | ||
| 010 | _a14016745 | ||
| 040 | _aUtSlPG | ||
| 041 | 7 |
_aen _2iso639-1 |
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| 050 | 4 | _aZ | |
| 100 | 1 |
_aHolme, Charles, _d1848-1923 |
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| 245 | 1 | 4 | _aThe art of the book |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2014 |
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| 300 |
_a1 online resource : _bmultiple file formats |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 500 | _aRelease date is 2014-06-14 | ||
| 505 | 0 | _aBritish types for printing books / B.H. Newdigate -- Fine bookbinding in England / D. Cockerell -- The art of the book in Germany / L. Deubner -- The art of the book in France / E.A. Taylor -- The art of the book in Austria / A.S. Levetus -- The art of the book in Hungary -- The art of the book in Sweden / August Brunius -- The art of the book in America / W.D. Orcutt. | |
| 508 | _aProduced by Chris Curnow, Turgut Dincer and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) | ||
| 520 | _a"The Art of the Book" by Charles Holme et al. is a comprehensive review of recent European and American works in typography, page decoration, and binding, written in the early 20th century. This volume explores the evolution and artistry of book production, offering insights into the craftsmanship involved in creating beautiful and innovative book designs. The book illustrates significant contributions from renowned figures such as William Morris and addresses the changing tastes and techniques in bookmaking. The opening of the work presents a detailed introduction that sets the stage for an analysis of various aspects of book art, including a historical overview of types used in printing. It highlights the transition from Gothic to Roman letter forms and discusses the influence of early printers on contemporary typography. The acknowledgment of contributions by various artists and craft professionals signifies the collaborative nature of this art form. Overall, the beginning lays a strong foundation for further exploration into the specific artistic movements and individual contributions that shape the book as a work of art. (This is an automatically generated summary.) | ||
| 534 | _nOriginal publication data not identified | ||
| 653 | _aBook ornamentation | ||
| 653 | _aType and type-founding | ||
| 653 | _aPrinting -- Specimens | ||
| 653 | _aBookbinding -- Facsimiles | ||
| 700 | 1 |
_aBrunius, August, _d1879-1926 |
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| 700 | 1 |
_aCockerell, Douglas, _d1870-1945 |
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| 700 | 1 |
_aDeubner, Ludwig, _d1877-1946 |
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| 700 | 1 |
_aLevetus, A. S. _q(Amelia Sarah) |
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| 700 | 1 |
_aNewdigate, Bernard H. _q(Bernard Henry), _d1869-1944 |
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| 700 | 1 |
_aOrcutt, William Dana, _d1870-1953 |
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| 700 | 1 |
_aTaylor, E. A. _q(Ernest Archibald), _d1874-1952 |
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| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/45968 |
| 999 |
_c86807 _d86807 |
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