000 02488cam a22003253u 4500
001 46587
003 UtSlPG
005 20260610134053.0
006 m
007 cr n
008 260607r2014||||utu|||||o|||||||||||||| d
010 _a62033691
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aML
100 1 _aNewmarch, Rosa,
_d1857-1940
245 1 4 _aThe Russian Opera
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2014
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2014-08-14
505 0 _aThe dawn of music in Russia -- The Russian opera prior to Glinka -- Michael Ivanovich Glinka -- Glinka's operas -- Dargomijsky -- Serov -- Anton Rubinstein -- Balakirev and his disciples -- Personal memories of Balakirev's circle -- Moussorgsky -- Borodin and Cui -- Rimsky-Korsakov -- Tchaikovsky -- Conclusion.
508 _aProduced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive)
520 _a"The Russian Opera" by Rosa Newmarch is a historical account written in the early 20th century. The work broadly discusses the development and evolution of national opera in Russia, focusing on composers such as Glinka, Rimsky-Korsakov, and Tchaikovsky, among others. It seeks to illuminate the cultural and musical backdrop against which these operas were created, providing insights into the influences and challenges faced by Russian composers throughout history. The opening of the book establishes the groundwork for understanding the complex history of music in Russia, detailing how early primitive music of the Slavs evolved amidst oppression and repression from church authorities. Newmarch introduces key historical figures and cultural movements that shaped Russian music, tracing the roots from the primitive traditions to the establishment of national opera as a legitimate art form. This opening highlights the conflict between natural artistic impulse and authoritative repression, setting the stage for a deeper exploration of significant composers and their works in subsequent chapters. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aOpera -- Russia
856 4 0 _uhttps://www.gutenberg.org/ebooks/46587
999 _c87426
_d87426