000 02279cam a22003013u 4500
001 49418
003 UtSlPG
005 20260610134133.0
006 m
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040 _aUtSlPG
041 7 _aes
_2iso639-1
050 4 _aPN
100 1 _aPérez de Ayala, Ramón,
_d1880-1962
245 1 4 _aLas máscaras, vol. 2/2
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2015
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2015-07-12
508 _aProduced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive)
520 _a"Las máscaras, vol. 2/2" by Ramón Pérez de Ayala is a philosophical essay and literary critique written in the early 20th century. The text examines the complexities of human nature and societal roles through a cultural lens, particularly reflecting on the life and works of Oscar Wilde. The exploration dives deep into the themes of contradiction, vanity, and the nature of art, likely presenting a nuanced view of the personalities involved, especially Wilde. The opening of this work introduces a detailed analysis of the concept of the "spoiled baby," a metaphor for individuals who have been overly pampered and have consequently developed a sense of superiority and entitlement. Pérez de Ayala articulates the psychological implications of this condition, likening it to Wilde himself, who, despite his genius, fell into contradictions and excesses. The text reflects on Wilde’s experiences, particularly his downfall, presenting his artistic endeavors in the context of societal views of morality and the complicated dynamics of personal identity and creative expression. This initial portion sets the stage for a broader discussion on the interplay between art, life, and moral implications within society. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aDrama -- History and criticism
856 4 0 _uhttps://www.gutenberg.org/ebooks/49418
999 _c90256
_d90256