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| 001 | 49916 | ||
| 003 | UtSlPG | ||
| 005 | 20260610134140.0 | ||
| 006 | m | ||
| 007 | cr n | ||
| 008 | 260607r2015||||utu|||||o|||||||||||||| d | ||
| 040 | _aUtSlPG | ||
| 041 | 7 |
_aen _2iso639-1 |
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| 050 | 4 | _aPR | |
| 100 | 1 |
_aMaugham, W. Somerset _q(William Somerset), _d1874-1965 |
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| 245 | 1 | 4 | _aThe Tenth Man: A Tragic Comedy in Three Acts |
| 246 | 1 | _aThe 10th Man: A Tragic Comedy in Three Acts | |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2015 |
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| 300 |
_a1 online resource : _bmultiple file formats |
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| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 500 | _aRelease date is 2015-09-09 | ||
| 508 | _aProduced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive) | ||
| 520 | _a"The Tenth Man: A Tragic Comedy in Three Acts" by W. Somerset Maugham is a play written in the early 20th century. The central theme revolves around interpersonal relationships and societal expectations, focusing primarily on the characters of Catherine Winter and George Winter as they navigate the complexities of love, betrayal, and financial ruin intertwined with the pressures of public image. At the start of the play, we are introduced to the drawing-room of Lord Francis Etchingham, where he and his wife discuss their daughter Catherine’s unexpected departure from her husband, George Winter, a powerful financier. As the couple grapples with their daughter’s decision and the potential fallout, it becomes evident that George's influence extends beyond their family dynamics, intertwining with business interests and the public's perception. The dialogue reveals tension between Catherine's need for autonomy and George's manipulative tactics, setting the stage for the moral dilemmas and conflicts that will unfold. This opening portion establishes a gripping narrative that hints at deeper themes of power, integrity, and the consequences of choices within a societal framework, inviting readers into a world where personal desires clash with obligations and reputations. (This is an automatically generated summary.) | ||
| 534 | _nOriginal publication data not identified | ||
| 653 | _aMarried people -- Drama | ||
| 653 | _aEnglish drama -- 20th century | ||
| 653 | _aCapitalists and financiers -- Drama | ||
| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/49916 |
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_c90754 _d90754 |
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