000			02164cam a22003133u 4500
001			50757
003			UtSlPG
005			20260610134151.0
006			m
007			cr n
008			260607r2015||||utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_aes _2iso639-1
050		4	_aPQ
100	1		_aZamacois, Eduardo, _d1873-1971
245	1	3	_aLa cita: novelas
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2015
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2015-12-23
505	0		_aLa cita -- Rick -- El collar -- El hijo.
508			_aProduced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
520			_a"La cita: novelas" by Eduardo Zamacois is a novel written in the early 20th century. The story revolves primarily around Ricardo Villarroya, a successful novelist, and his tumultuous relationship with the actress Fuensanta Godoy. The narrative delves into themes of ambition, existential discontent, and the allure of the unknown, revealing the complexities of human emotions and connections. The opening of the novel introduces a poignant dialogue between Ricardo and Fuensanta, where her maternal concern contrasts sharply with his existential musings. Fuensanta expresses her deep love for him and pleads for his fidelity, while Ricardo, lost in his discontent and a desire for the unattainable, remains indifferent. As the conversation unfolds, it becomes evident that both characters grapple with their demons—Ricardo's quest for novelty and Fuensanta's struggle against obscurity and loss. This initial dynamic sets the stage for a deeper exploration of their troubled relationship, marked by ambition, longing, and the shadows of past disappointments. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aSpanish fiction
856	4	0	_uhttps://www.gutenberg.org/ebooks/50757
999			_c91595 _d91595