000 02690cam a22003253u 4500
001 50803
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006 m
007 cr n
008 260607r2015||||utu|||||o|||||||||||||| d
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aND
100 1 _aHoeber, Arthur,
_d1854-1915
245 1 4 _aThe Mentor: Painters of Western Life, Vol 3, Num. 9, Serial No. 85, June 15, 1915
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2015
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2015-12-31
505 0 _aFrederic Remington -- Charles M. Russell -- Charles Schreyvogel -- E. Irving Couse -- George de Forest Brush -- William R. Leigh -- Painters of western life.
508 _aProduced by Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net
520 _a"The Mentor: Painters of Western Life, Vol 3, Num. 9, Serial No. 85, June 15,…" by Arthur Hoeber is a historical account of significant American painters who depict Western life, created in the early 20th century. The book highlights artists like Frederic Remington, Charles M. Russell, Charles Schreyvogel, and others who captured the essence of the American West, showcasing scenes involving cowboys, Indigenous peoples, and frontier life. Within this account, readers can expect to learn about the influences and personal histories of these artists, emphasizing their contributions to American art and culture. This issue of "The Mentor" presents a rich tapestry of narratives that illuminate the lives and works of prominent Western painters. It discusses Frederic Remington's vigorous portrayals of Indian and cowboy life, Charles M. Russell's uniquely personal connection to his subjects, Schreyvogel's rising fame through his depiction of army life, and E. Irving Couse’s intimate views of Pueblo Indian life. With detailed descriptions and anecdotes about their artistic journeys and techniques, the book provides insights into how these artists represented the spirit of the West—a vibrant and often turbulent era filled with natural beauty, fierce independence, and cultural crossings. Overall, the publication serves both as an homage to the artists and as an exploration of the themes and stories that defined Western art. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aPainting -- United States
653 _aWest (U.S.) -- In art
856 4 0 _uhttps://www.gutenberg.org/ebooks/50803
999 _c91641
_d91641