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040			_aUtSlPG
041		7	_aen _2iso639-1
050		4	_aND
100	1		_aVan Dyke, John C., _d1856-1932
245	1	4	_aThe Mentor: Angels in Art, Vol. 1, Num. 40
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2016
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2016-01-04
508			_aProduced by Juliet Sutherland, Christopher Wright and the Online Distributed Proofreading Team at http://www.pgdp.net
520			_a"The Mentor: Angels in Art, Vol. 1, Num. 40" by John C. Van Dyke is an artistic publication written in the early 20th century. This informative work discusses the representation of angels in various art forms throughout history, exploring the evolution of their depictions from ancient times through the Renaissance. The book serves as a glimpse into the significance of angels in religious symbolism and artistic expression. In this issue, Van Dyke delves into the historical context and artistic techniques used by notable painters such as Melozzo da Forlì, Benozzo Gozzoli, Fra Angelico, and Sir Edward Burne-Jones, among others. He examines how angels were represented in ways that evoke emotional and spiritual themes, blending human characteristics with divine qualities. Through a mix of illustrations and detailed descriptions, the text highlights the diversity of angel imagery, from cherubic figures to majestic archangels, and emphasizes the varying ideals of beauty and sentiment that artists infused into their creations. Ultimately, "Angels in Art" offers readers a rich understanding of the symbolic and aesthetic roles angels have played in art history. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aAngels in art
856	4	0	_uhttps://www.gutenberg.org/ebooks/50843
999			_c91681 _d91681