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040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aND
100 1 _aNoe, Sydney P.
_q(Sydney Philip),
_d1885-1969
245 1 4 _aThe Mentor: The Metropolitan Museum of Art, Vol. 6, Num. 9, Serial No. 157, June 15, 1918
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2016
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2016-03-01
508 _aProduced by Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net
520 _a"The Mentor: The Metropolitan Museum of Art, Vol. 6, Num. 9, Serial No. 157" by Sydney P. Noe is an art-focused publication likely produced in the early 20th century. This particular issue discusses various notable artworks and artists represented in the collection of the Metropolitan Museum of Art, emphasizing the intersection of art and commerce. It aims to educate readers on the significance of art in society while exploring the works of old masters and their historical contexts. In this edition, Noe presents a series of essays on prominent artworks, including portraits by artists such as Francia, Rembrandt, Van Dyck, Vermeer, and Regnault, among others. Each section delves into the life of the painter, the historical background of the masterpiece, and its artistic significance. For example, the portrait of Federigo Gonzaga by Francia showcases the importance of commissions in the artist's career, while Rembrandt's "Old Woman Cutting Her Nails" exemplifies his empathy for ordinary subjects. The issue seeks to inspire appreciation for these masterpieces and enhance cultural knowledge around art by engaging readers with stories and detailed analyses of the pieces housed in the Metropolitan Museum. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aPainting
653 _aMetropolitan Museum of Art (New York, N.Y.)
856 4 0 _uhttps://www.gutenberg.org/ebooks/51340
999 _c92178
_d92178