000			02139cam a22003013u 4500
001			51584
003			UtSlPG
005			20260610134204.0
006			m
007			cr n
008			260607r2016||||utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_afi _2iso639-1
050		4	_aPN
100	1		_aAspelin-Haapkylä, Eliel, _d1847-1917
245	1	0	_aSuomalaisen teatterin historia 3 : _bNousuaika, 1879-93.
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2016
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2016-03-28
508			_aE-text prepared by Tapio Riikonen
520			_a"Suomalaisen teatterin historia 3" by Eliel Aspelin-Haapkylä is a historical account written in the early 20th century. This volume appears to chart the progress of Finnish theater during the period of 1879 to 1893, focusing on its development, key players, performances, and the cultural significance of theater in Finland during that time. The book likely covers notable figures, specific productions, and the interplay between theater and the rise of Finnish nationalism. At the start of the book, the narrative reflects on the transition from opera to spoken theater in Finland, specifically noting the positive atmosphere among theater enthusiasts following the conclusion of the opera season in 1879. Correspondence reveals the successful performances and enthusiastic reception of plays like "Jane Eyre," highlighting the growing appreciation for Finnish theater among the public, including audience diversity. Additionally, the text captures the contributions of individuals like Emilie Bergbom and remarks on the collective resolve necessary to uphold the theater as a vital cultural institution during a period marked by financial challenges and a burgeoning national identity. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aTheater -- Finland
856	4	0	_uhttps://www.gutenberg.org/ebooks/51584
999			_c92418 _d92418