000			02189cam a22003013u 4500
001			51988
003			UtSlPG
005			20260610134210.0
006			m
007			cr n
008			260607r2016||||utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_aen _2iso639-1
050		4	_aPR
100	1		_aMoore, Frank Frankfort, _d1855-1931
245	1	0	_aWell, After All--
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2016
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2016-05-03
508			_aProduced by David Widger from page images generously provided by the Internet Archive
520			_a"Well, After All" by F. Frankfort Moore is a novel written in the late 19th century. The story unfolds around a financial crisis at the Bracken-shire Bank, led by Richard Westwood, who is faced with a panicked run on the bank as customers scramble to withdraw their money. The narrative explores the reactions of various characters, including Westwood and his friend Cyril Mowbray, as they navigate the tension of the situation alongside themes of gender dynamics and personal relationships. At the start of the novel, we witness the immediate chaos of the banking crisis through the conversations between Mr. Westwood and Cyril Mowbray, highlighting the varying reactions of men and women in moments of panic. As Westwood attempts to manage the situation with calmness and strategic thinking, Cyril reflects on the social dynamics at play, specifically regarding women's more straightforward, primal reactions compared to men's pretense of nonchalance. The opening chapters set the stage for examining personal struggles in the face of societal pressures, hinting at deeper emotional undercurrents that will be explored as the story unfolds, particularly concerning love, loyalty, and the burdens of expectation during tumultuous times. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aFiction
856	4	0	_uhttps://www.gutenberg.org/ebooks/51988
999			_c92822 _d92822