000 02225cam a22003133u 4500
001 52299
003 UtSlPG
005 20260610134215.0
006 m
007 cr n
008 260607r2016||||utu|||||o|||||||||||||| d
010 _a23002691
040 _aUtSlPG
041 7 _ade
_2iso639-1
050 4 _aD501
100 1 _aSchulz-Besser, Ernst,
_d1873-1933
245 1 4 _aDie Karikatur im Weltkriege
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2016
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2016-06-10
508 _aProduced by Peter Becker, Harry Lamé and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
520 _a"Die Karikatur im Weltkriege" by Ernst Schulz-Besser is a historical account likely written during the early 20th century. This work examines the role and impact of caricature art during World War I, reflecting the feelings and sentiments of various nations involved in the conflict. The author discusses how these satirical illustrations not only offer commentary on current events but also serve as significant cultural and historical documents of the time. At the start of the book, Schulz-Besser emphasizes the importance of caricature as a medium that captures the emotions and attitudes of different peoples towards one another during the war. He reflects on the complexity of wartime sentiment, noting that humor and satire persist even in dire times, suggesting that such expressions are essential for maintaining morale. The opening section sets the stage for a deeper exploration of specific motifs, artists, and works of caricature that emerged from the war, positioning these artworks as both reflections of and responses to the tumultuous environment of the early 20th century. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aWorld War, 1914-1918 -- Humor, caricatures, etc.
856 4 0 _uhttps://www.gutenberg.org/ebooks/52299
999 _c93133
_d93133