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001			53624
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010			_a01025928
040			_aUtSlPG
041		7	_aen _2iso639-1
050		4	_aNK
100	1		_aHulme, F. Edward _q(Frederick Edward), _d1841-1909
245	1	0	_aArt-Studies from Nature, as Applied to Design : _bFor the use of architects, designers, and manufacturers
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2016
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2016-11-28
505	0		_aI. The adaptability of our native plants to the purposes of ornamental art, by F.E. Hulme -- II. Sea-weeds as objects of design, by S.J. Mackie -- III. The crystals of snow as applied to the purposes of design, by J. Glaisher -- IV. The symmetrical and ornamental forms of organic remains, by R. Hunt.
508			_aProduced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive)
520			_a"Art-Studies from Nature, as Applied to Design" by F. E. Hulme, J. Glaisher, S. J. Mackie, and Robert Hunt is a detailed collection of essays intended for architects, designers, and manufacturers, likely written in the late 19th century. This work explores the beauty and adaptability of natural forms in the realm of ornamental art, serving as a guide to inspire artists and designers in their creative processes. Each section delves into different aspects of nature, emphasizing how the intricate designs found in plants and natural phenomena can be applied to art and design. The opening of this collection sets the tone by emphasizing the profound relationship between nature and artistry. It introduces the idea that true beauty in art springs from understanding and appreciating the richness of the natural world, suggesting that all elements, even seemingly mundane plants like fungi or lichen, have aesthetic value that can be harnessed in design. The text outlines the importance of studying native plants' forms, colors, and arrangements as essential sources of inspiration for creating meaningful and beautiful work in architecture and decorative arts. Each subsequent paper promises to illustrate how various plant forms, marine life, and organic shapes can enhance ornamental art, encouraging designers to look beyond traditional motifs for their classifications and designs. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aNature (Aesthetics)
653			_aDecoration and ornament -- Plant forms
700	1		_aGlaisher, James, _d1809-1903
700	1		_aHunt, Robert, _d1807-1887
700	1		_aMackie, Samuel Joseph, active 1851-1872
856	4	0	_uhttps://www.gutenberg.org/ebooks/53624
999			_c94458 _d94458