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001 54112
003 UtSlPG
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040 _aUtSlPG
041 7 _aes
_2iso639-1
050 4 _aPQ
100 1 _aDarío, Rubén,
_d1867-1916
245 1 0 _aTodo al Vuelo :
_bObras Completas Vol. XVIII
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2017
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2017-02-05
508 _aProduced by Josep Cols Canals, Nahum Maso i Carcases and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
520 _a"Todo al Vuelo" by Rubén Darío is a literary work likely belonging to the early 20th century, blending elements of prose and poetic reflection. The writing captures the essence of various characters, notably exploring the vibrant milieu of Paris and the diverse personalities that populate its streets, reflecting an appreciation for cultural nuances and a critique of societal norms. The opening of "Todo al Vuelo" presents a series of vignettes that reveal the author's keen observational skills, as he describes the lively interactions and distinctive characteristics of people in Paris. He draws attention to a particular figure, a proud and well-dressed Black man in a Panama hat, amidst a crowd of colorful expatriates, reflecting the rich tapestry of cultures in the city. The narrative flows through various encounters and observations about these 'exóticos' and engages with themes of identity and social status, suggesting that the setting of Paris becomes a character in its own right through its dynamic and diverse inhabitants. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aNicaraguan literature
856 4 0 _uhttps://www.gutenberg.org/ebooks/54112
999 _c94946
_d94946