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001 54154
003 UtSlPG
005 20260610134240.0
006 m
007 cr n
008 260607r2017||||utu|||||o|||||||||||||| d
010 _a21017638
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aN
100 1 _aFry, Roger,
_d1866-1934
245 1 0 _aVision and Design
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2017
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2017-02-12
505 0 _aArt and life -- An essay in æsthetics -- The ottoman and the whatnot -- The artist's vision -- Art and socialism -- Art and science -- The art of the Bushmen -- Negro sculpture -- Ancient American art -- The Munich exhibition of Mohammedan art -- Giotto -- The art of Florence -- The Jacquemart-André collection -- Dürer and his contemporaries -- El Greco -- Three pictures in tempera by William Blake -- Claude -- Aubrey Beardsley's drawings -- The French post-impressionists -- Drawings at the Burlington fine arts club -- Paul Cézanne -- Renoir -- A possible domestic architecture -- Jean Marchand -- Retrospect.
508 _aProduced by Chris Curnow, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
520 _a"Vision and Design" by Roger Fry is a collection of essays on art written in the early 20th century. This work reflects on Fry's extensive writings over two decades, discussing various themes such as the relationship between art and life, aesthetic philosophy, and the evolution of artistic movements. The essays delve into topics ranging from the significance of art in society to specific examinations of artists and styles, aiming to provide a deeper understanding of art's role in human experience. The opening of "Vision and Design" introduces Fry’s exploration of how ancient works of art are perceived not just for their aesthetic value but as reflections of historical human imagination and life. He presents a character sketch of an old gentleman with a misguided obsession for antiquities, illustrating how people often view art through the lens of their own dreams and fantasies of past eras. Fry argues that there exists a complicated and often misleading relationship between art and life, asserting that understanding this relationship requires a critical examination of history and the societal context that influences artistic expression. Thus, he sets the stage for a deeper inquiry into the true essence of art and its implications in the modern world. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aArt
856 4 0 _uhttps://www.gutenberg.org/ebooks/54154
999 _c94988
_d94988