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001 54349
003 UtSlPG
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006 m
007 cr n
008 260607r2017||||utu|||||o|||||||||||||| d
010 _a03033040
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aZ
100 1 _aFrench, George,
_d1853-1935
245 1 0 _aPrinting in Relation to Graphic Art
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2017
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2017-03-12
508 _aProduced by Chris Curnow, Larry B. Harrison and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
520 _a"Printing in Relation to Graphic Art" by George French is a detailed analysis of the interconnections between printing and the graphic arts published in the early 20th century. This book serves as a scientific publication that explores how artistic principles can be applied within the realm of printing, presenting insights on various components of the craft such as typography, composition, color, and binding. Written during a time when printing was undergoing significant transformation due to technological advances, the book illustrates the necessity for a balance between mechanical processes and aesthetic considerations in print design. In this informative text, French emphasizes that while printing is predominantly a utilitarian craft, it possesses the potential to elevate itself into an art form by adhering to time-honored artistic principles. He systematically breaks down essential aspects of printing, discussing the importance of layout, type composition, color dynamics, tone, and the physical properties of paper, all while advocating for the thoughtful integration of these elements to produce aesthetically pleasing and functional printed works. French's articulations draw vividly on the historical significance of printing, its cultural implications, and its inherent capacity to educate and influence people, ultimately calling for greater recognition of the artistic dimensions within the printing profession. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aGraphic design (Typography)
653 _aPrinting -- United States
856 4 0 _uhttps://www.gutenberg.org/ebooks/54349
999 _c95183
_d95183