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| 001 | 55623 | ||
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| 005 | 20260610134300.0 | ||
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| 008 | 260607r2017||||utu|||||o|||||||||||||| d | ||
| 040 | _aUtSlPG | ||
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_aen _2iso639-1 |
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| 050 | 4 | _aN | |
| 100 | 1 |
_aHegel, Georg Wilhelm Friedrich, _d1770-1831 |
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| 245 | 1 | 4 |
_aThe Philosophy of Fine Art, volume 3 (of 4) : _bHegel's Aesthetik |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2017 |
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_a1 online resource : _bmultiple file formats |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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| 500 | _aWikipedia page about this book: https://en.wikipedia.org/wiki/Lectures_on_Aesthetics | ||
| 500 | _aRelease date is 2017-09-25 | ||
| 508 | _aProduced by Laura Natal Rodriguez and Marc D'Hooghe at Free Literature (online soon in an extended version,also linking to free sources for education worldwide ... MOOC's, educational materials,...) Images generously made available by the Internet Archive.) | ||
| 520 | _a"The Philosophy of Fine Art, volume 3 (of 4)" by Georg Wilhelm Friedrich Hegel is a compilation of lecture notes published in 1835. This volume explores Hegel's theory of art as a manifestation of absolute spirit, tracing art's development through symbolic, classical, and romantic stages. Hegel examines five major arts—architecture, sculpture, painting, music, and poetry—in ascending order of spiritual inwardness. His lectures address art's evolving role in expressing truth and have profoundly influenced aesthetic theory, sparking debate about art's historical transformation and cultural significance. (This is an automatically generated summary.) | ||
| 534 | _nOriginal publication data not identified | ||
| 653 | _aAesthetics | ||
| 700 | 1 |
_aOsmaston, Francis Plumptre Beresford, _d1857-1925 |
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| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/55623 |
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_c96454 _d96454 |
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