000			02035cam a22003013u 4500
001			57033
003			UtSlPG
005			20260610134320.0
006			m
007			cr n
008			260607r2018||||utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_aen _2iso639-1
050		4	_aML
100	1		_aVarious
245	1	4	_aThe Harmonicon. Part the First
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2018
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2018-04-23
508			_aProduced by Jane Robins, Reiner Ruf, and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)
520			_a"The Harmonicon. Part the First" by Various is a collection of essays, criticisms, biographies, and foreign reports written in the early 19th century. It serves as a significant periodical focusing on musical trends, key figures, and cultural critiques of its time, offering insights into the musical landscape of that era. The opening of the work reveals a structured approach to music criticism and reporting, featuring a biographical memoir of Vincenzo Righini, an Italian composer, which emphasizes the challenges of merit recognition for composers across Europe. The text discusses Righini's early life, education, and contributions to the opera, highlighting the disparity between his talent and the acknowledgment he received during his career. Additionally, the opening sections provide correspondence on musical critiques, emphasizing the evolving nature of music appreciation and criticism, illustrating the dynamic discourse surrounding music in contemporary society. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aMusic -- Periodicals
856	4	0	_uhttps://www.gutenberg.org/ebooks/57033
999			_c97864 _d97864