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001 58375
003 UtSlPG
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006 m
007 cr n
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040 _aUtSlPG
041 7 _aes
_2iso639-1
050 4 _aPQ
100 1 _aDarío, Rubén,
_d1867-1916
245 1 3 _aLa Caravana Pasa :
_bObras Completas Vol. I
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2018
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2018-11-29
508 _aProduced by Josep Cols Canals, Carlo Traverso, Carlos Colón and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
520 _a"La Caravana Pasa" by Rubén Darío is a literary work that likely resembles a collection of essays or prose poetry written in the early 20th century. The text explores themes of art, culture, and society, particularly in relation to the author's reflections on music and the artistic landscape of his time. Darío delves into the lives of wandering musicians and the cultural milieu that surrounds them, reflecting on the contrasts of beauty and the darker, often harsh realities of urban life. At the start of the work, the narrative vividly describes the return of street musicians with the arrival of spring, highlighting the joy they bring through their songs. The atmosphere captures the essence of urban life where music can temporarily lift spirits, even amidst the city's threats. The opening sets a tone of celebration for the arts while simultaneously hinting at the social issues that linger beneath the surface, creating a commentary on the relationship between artistic expression and the struggles inherent in society. Overall, it serves as an introduction to a deeper exploration of beauty and sorrow interwoven in everyday life. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aNicaraguan literature
700 1 _aGhiraldo, Alberto,
_d1874-1946
856 4 0 _uhttps://www.gutenberg.org/ebooks/58375
999 _c99202
_d99202