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010 _a09018299
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aN
100 1 _aMemes, J. S.
_q(John Smythe)
245 1 0 _aHistory of Sculpture, Painting, and Architecture
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2019
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2019-02-28
508 _aProduced by Sonya Schermann, Alan, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
520 _a"History of Sculpture, Painting, and Architecture" by J. S. Memes is a comprehensive historical account written in the early 19th century. This work explores the evolution and significance of the fine arts, focusing primarily on sculpture, painting, and architecture across different cultures and epochs. The likely topic of the book centers around the development of these artistic forms, their cultural contexts, and the philosophical principles underlying aesthetic appreciation. At the start of this volume, the author establishes a foundational discussion on the concept of taste, defining it as the perception of beauty derived from both nature and art. The opening portion elaborates on the interconnectedness of taste, beauty, and artistic expression, setting a philosophical framework for what follows. Memes emphasizes that the understanding of beauty is influenced by cultural and intellectual cultivation over time. He intends to delve into specific historical examples of sculpture, starting with Egyptian art, illustrating how various civilizations have contributed to the arts while also noting their unique characteristics and shared qualities. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aArt -- History
856 4 0 _uhttps://www.gutenberg.org/ebooks/58981
999 _c99807
_d99807